@BetaSkroz is a derivation of the research in performance risk maximization – for the performers, authors and audience alike – which we started back in 2009.

Croatian National Ballet’s Prima Ballerina, Edina Pličanić and publicist / musician Ante Perković, risked by trying out a completely new performing discipline, and together we created a set of tasks as a starting point of the future performance. However, which of them, how, in what order and by whom will be carried out – is decided by dice – during the performance itself.

The creation of a private world, as the only reliable stronghold within the public space of the performance, actually forms the show in accordance with Tim Etchells’ thesis that what draws us into a performance is – the performers’ investment.[1]